ADÈLE SWEETLOVE
                                           
 Adèle Sweetlove (b. 2000, Belgium) is a visual artist  based in Brussels. Her work is site responsive, shaped by the rhythms, and histories of place. 

Since 2025, Adèle has been a member of Kassé Collective, a group of artists and designers. The collective was given the opportunity to transform a Brussels townhouse into a centre of creativity and complete freedom. With this building, Kassé Collective provides artists and creatives with a space to showcase their work and contribute to sustaining Brussels’ cultural sector.


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Works


Altering Functions, Altering Spaces, Altering Meanings (2026)

mixed media (wood boxes, glass, objects, steel, video, plaster) 
9’25’’

as part of ‘Return To Sender’ 
curated by Kassé (Brussels, BE)

In collaboration with
Adèle Sweetlove
Iana De Rop
Niel Schuerman
Eva De Vilder
Eline Vertommen

Installation views by Sid Dankers
altering functions,

Our building is about to begin a new life. Our presence has always been temporary, continuously extended, never fully secured. This uncertainty of departure forms an underlying condition of the installation, caught between what it once was and what it is about to become.

altering spaces,

Located at Quai du Commerce 26 in Brussels, the former Art Deco apartment block exists in suspension between domestic past and imminent renovation. Temporarily occupied yet unfinished, it is a space in transition. From this instability, we began to focus on moving and to the most stable element of the home: the floor. Rooted in a Belgian architectural context, the installation draws on domestic traditions in which floors define space and function.

altering meanings.

Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles (1975) an address that sounds familiar? Chantal Akerman’s film was shot three houses down the same street. The film renders domestic routine and the strict division of space tangible through duration and gesture. Each movement unfolds on and across the floor, revealing it as a silent carrier of daily life and time.

boxes filled, plates empty, curtains closed
we have to go, time passed

By interweaving our collective move-out, the building’s transitional state, and the cinematic language of Jeanne Dielman, the work reflects on an absurd yet familiar state of dwelling.

touch the floor,
one last time,